The following post is one collector's attempt to describe my passion, yet concern, for IWC. I will do my best to present a balanced view of what I see as an inherent conflict pulling on IWC management. It is not my intent to criticize IWC. I am merely stating my concern. I am very interested in the opinions of my fellow members of this Forum and I hope this post will stimulate some discussion.
I first became aware of IWC in late 2000. I began reading a major watch site and felt an immediate connection to the wonderful creation they called "Mark XV". I couldn't believe I was soon wearing my first good mechanical watch. So began a long term love affair for me with IWC.
I instantly bonded with that Mark XV. As I learned more about IWC, the bond developed into a distinct preference for the brand, and then into a deep respect and I suppose even love. The attraction for me was based on understated styling, a strong emphasis on engineering, performance, and workmanship rather than marketing hype, clear Germanic rather than French influence and style (and I mean no disrespect to any nationality), and the rich company history.
In the 9 years since, I have bought more than 45 IWC's representing virtually all of IWC's lines. While an average of 5 IWC's per year doesn't make me a huge customer, perhaps it at least means I have bought more than the average customer.
I still have a strong preference for IWC, but I have grown increasingly concerned about their recent direction.
The IWC with which I first became acquainted was a bit of a "cult classic". The brand wasn't available everywhere, was perhaps best known to a group of cognescenti, and marketing seemed to match the understated functionality of the product. Ad campaigns like the "strap hanger" watch were clever and consistent with brand image.
Recently, it appears to me that marketing and brand positioning have gone far more "big time". We have seen an ongoing array of special or limited editions, much higher profile marketing campaigns directed at a far wider (dare I say "mass") audience, more product placements and celebrity presence, etc. While I understand that for a public company top line (revenue) growth is necessary and that prior to the recession IWC has succeeded in that respect, I can't help but feel that this positioning degrades the exclusivity and desirability of the brand in my collector eyes.
The conflict for me is that I strongly preferred what was to me the "old" IWC. However, I've had a successful career in business and fully realize that product development isn't inexpensive. Some of the revenues from the marketing efforts I don't like are no doubt used to fund the development of new movements and models that collectors love. And, to their credit, IWC does a superb job of listening to, and rewarding, their collector base. We as a group no doubt do not represent IWC's largest market segment, though we may be the most passionate and most vocal.
So what's a company to do? How do they walk the tightrope between exclusivity and over exposure?
For me, while I understand the pull on IWC for constant revenue growth and I appreciate that some of it funds developments collectors favor, I wish IWC would "dial it back" just a shade and maybe wind the clock back a few years. The perceived exclusivity and understatement I always associated with IWC were highly desirable traits. I can't help but feeling that the current direction and more intense, higher profile marketing reduce that perceived exclusivity and therefore desirability of the brand.
That's one collector's opinion. No doubt everyone will have their own thoughts. How about you? What's your opinion?


